It’s so intuitive to use that almost anyone could work through it, even without a tutorial to guide. Select the file you want and click the Add button to add it to the timeline. It renders each media file in neat 1:1 squares within the panel and has plenty of negative space to the margin on the left which maintains the decluttered workspace that Adobe is clearly aiming for.įrom here you can filter by file type, and sort by name. Click the folder bin icon on the left of the window and it’ll open up the Project panel which houses all the media you’ve imported for your edit. Premiere Rush’s workspace is laid out chronologically, from import, to editing, left-to-right.
Premiere Rush's layout is pretty easy to get to grips with (Image credit: Jason Parnell-Brookes)
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